Will they have your back? The right creative agency will keep your brand’s best interest in mind.
When it comes to choosing a creative agency for your advertising, branding and design needs, personality fit counts for a lot. After all, you’ll be working closely with these people in high stakes, deadline-driven situations. The fit can be determined almost instantly when you meet them in person, but in the mean time, how do you narrow your search? Keep in mind the following:
1. Size vs. Value: The bigger you go, the more cooks you get in the kitchen. This can be a good thing: many of the large multi-service advertising agencies have a team of strategists and creative directors that can provide great ideas and insight. You’ll be paying for that expertise and it takes time to get your message heard by a large team. Keep in mind that even the large agencies usually still outsource the animation work, so you’ll be paying a mark-up on those services. You can go directly to an animator to get the work done, but generally you’ll be providing a lot of the prep work, from strategic planning to copy writing and audio. Medium-sized creative firms generally offer strategic branding and campaign services, experienced producers and a team of creative minds who are all used to delivering the whole enchilada quickly and to budget. Smaller agencies may impress you with lower pricing, but beware they have the adequate resources to handle the full project. They often outsource much of the work to keep overhead costs down, and can get caught if their go-to partners are busy with other projects.
Do you want to be the first? Your project could be a win/win or a big mistake.
2. Guinea Pig Pitfalls: It’s easy for creative companies to become experts in a particular style or step in the creative process. After all, doing good work leads to more of the same work. So when you’re shopping around for a creative partner, make sure they have a solid track record of doing the kind of work you need. They may lower their bid for the project because the work would provide a nice addition to their portfolio or could be a strong case study for them. Maybe this is a win/win. Or maybe you’re gambling with your limited marketing dollars.
The best creative agencies don’t just tell you what you want to hear.
3. Timing is Everything: Is your timeline realistic with the expectations you’re setting for the work? This question is valid when planning any project really, but in the creative world, a misalignment in timeline expectations happens a lot. A creative agency can turn around a really complex project quickly, but not if you need time for them to incorporate your notes and test it with a market sample. They’ll likely say yes to the project, but be open to considering any recommendations you get regarding adjusting the scope to maximize quality and effectiveness. The best of the best pride themselves on making great creative work for their clients – that also drives bottom line results.
Start shopping around early so you’ve already vetted creative agencies before your boss drops that fantastic ‘we-can’t-afford-not-to-take-advantage-of-this-opportunity!’ campaign idea on your desk. You’ll be glad you did.
Fresh Guacamole is an amazing piece of animation. Released in March of last year, PES’ stop-motion short has garnered over 6.8 million views for Showtime’s YouTube page (Showtime financed the production). And it isn’t just attracting viewers – recently added to its list of accolades was a nomination for an Academy Award.
How has a 1-and-a-half-minute film captured so many hearts and minds? Simple:
And Fresh Guacamole is just that – simple, yet genius. It’s someone making guacamole. But it’s the imaginative, child-like element that excels here. PES – who cut his teeth in the commercial world – has a distinct visual flair. His previous work includes Western Spaghetti, which utilized the same idea: this is a view through the eyes of a 5-year old playing make-believe chef.
There’s no score, but the sound design is spot-on. The foley work is half the charm, as some the everyday objects adhere to the sounds of their kitchen counterparts. This ambiance intermingles with the tactile nature of stop-motion and gives Fresh Guacamole its simultaneously familiar yet otherworldly feel. As a recent Wired article put it, PES’ work is “strangely hypnotic”.
What do you think? Sound off in the comments below!
Written by Brodie, January 14th, 2013 | No Comments »
After eating an insane amount of sushi today (a great post-gift-shopping linner), I was reminded of a stop motion film my friend Jono produced a while ago.
While the end is a bit creepy (especially for someone who just ate a lot of dynamite rolls), the video is quite clever and quirky. Bon appetit, readers!
Next time you eat sushi think about how it got on your plate...
Lauren Gregg created the art for this awe inspiring stop motion piece. 2 years, 288000 jellybeans and a labor of love. See the video. Lauren is half of the director duo Kangaroo Alliance, represented by Global Mechanic.
Written by Global Mechanic, November 17th, 2011 | No Comments »
Saw this in Creative Review- awesome! We’re going to try it.
According to Creative Review, “To make the film, balloons were fastened onto a 200 meter long rail, and lined up via laser guide. “To achieve a moving picture effect, 10 balloons had to be popped per second, or 600 balloons per minute,” Caldeira says. “It took nearly 24 straight hours to shoot the multiple takes needed.”"
Credits include:
Agency: Loducca Sao Paulo
Client: MTV
Production: Paranoid