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As you can see, the paintings are almost done now. They’re brightening up the studio downstairs. It’s really quite beautiful to see them all lined up whith the sunlight passing through the bamboo blinds. The paintings are beginning to feel more like a cohesive set with a common language of blobs, sepia washes, dense line-work and a tendency toward flatness in lieu of modeling and light-rendering. The next time we update on the Vive La Rose paintings, you’ll be seeing the finished product!
Don’t forget that the finished paintings will be showing (along with a screening of Vive La Rose) at the Christina Parker Gallery, in conjunction with the Nickel Film Festival and the 15th biannual Sound [...]
It appears as though Bruce is starting to finish some of these paintings. Check out the figure-drawing on the two fish pictures. Beautiful. And what about those water pictures? They’re looking mighty wet! We can see that Bruce has added quite a bit of turpentine to the potatoes to try and get that watercolor effect in the boiling potatoes painting. To get the effect of the steam, he’s used a drybrush with white paint. He’s also added sepia washes to the paintings of the woman to tone down the candy pink backgrounds. Next Bruce plans on adding some punch to the cod jigger and finishing the figures in the piano scene.
The finished paintings will be showing (along with a screening of Vive La Rose) at the Christina Parker Gallery, in [...]
It looks like Bruce is close to finishing some of these paintings. He’s switching it up as he goes, adding cold wax medium to a few of the paintings of the woman (steam moving over the extreme close-up of her eyes and nose bridge, for her whole body to differentiate it from the other figures in the piano scene and in her hair for the face close-up). He then dragged water-diluted india ink over the wax for a nice resist look. It appears as though the fish are getting fishier now, with indigo oil-bar line work watered with turpentine, plus a little ochre. You can see in the photos that the Vancouver Spring is shining through the windows giving the studio area around Bruce’s painting project a comfortable glow.
The finished paintings will be showing (along with [...]
Today, Bruce worked a lot with red. As you can see, there is a lot of it in the background of the transfigured woman: mixed transparent red oxide, venetian red, cadmium hue deep and a little mars red. He also worked on drybrushing the edges of the woman’s hair and dress (she’s becoming a spirit at this point in the film, so she needs to dissolve into the background). It appears as though the roses will need several more washes and we seem to be running out of black. Look at that texture. Worth it? Totally.
When the paintings are finished, they will be showing (along with Vive La Rose) at the Christina Parker Gallery, in conjunction with the Nickel Film Festival and the 15th biannual Sound Symposium.
The Vive la Rose paintings are now starting to take shape. Bruce is working with his drybush, oil bars (also called oil sticks), and lots of turpentine. If only he’d remembered to open a window, he wouldn’t have gotten so lightheaded (and that goes for the rest of us who walked through the room. The dizziness was thick like a fog). Bruce says he’s trying to take it easy and go at a medium pace and that he’s loving the large scale of these canvases. More of the painting process will come as he finishes these beauties.
Again, when the paintings are finished, they will be showing (along with Vive La Rose) at the Christina Parker Gallery, in conjunction with the Nickel Film Festival and the 15th biannual Sound Symposium.
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